afterlife
i just can
not afford you
i get a grasp
on my projected
suffering
know the raw
syncopations
of my acceptive self
the body you know
is a site
of opportunity
when angled
correctly
gut check―
these are
my “genuine” “feelings”
how to
mention
the metaphysical
without wanting
to tape
the mouth of it
how to
tape
the mouth of it
then watch
the mouth
become it
hello mother life force
i’ve had
a “psychedelic” “experience”
you are not
interested in me
you are
interested in my shadow
how costly
it is
to need nothing
want no one
incessantly
as i do
the dull
ontological
ache
of my sexual capital
enacted
no my sorrow is erotic
no my fantasy subverts itself
no my afterlife is not a product
of your enrollment
i sweat myself
like a loving dog
cum on the shampoo
towel
and it’s
ecstatic
my siren my affection song
my coinstar at the
corporate rave
i encountered
in all corners
of my mind
some ephemeral
past self
i tried to make
fantastic
you text me “i feel it”
and the negation goes
dis-
solving
i get a grasp
on my projected
suffering
and without turning
instinctively
i know it’s
you
lucifer bitch
to dilute
corporeality
i go real
hysteric
hacks over
the sink
edging
the manic
instinct
i wanna
touch
your face
but depression
detests
anything
with a size
or shape
so instead
i inhabit
your body
as an
electrical signal
love you
like a time
of day
when i sell
myself
on the internet
i feel lucid
when i buy
myself
on the internet
i feel lucid lucid
i know
what
you would
say
regarding
moralism
shut up
you lucifer
bitch
flash
if you entrust
me a task make
it opulence
i flash upright
wake a smile
in nighttime’s
gentle heat
i guess i was
i guessed i was
“emoting”
in memory
non-ecstatic
only certain
social
exemptions
are allowed
i made
obsession
of your promise
and that’s
why
i had to call
i obsessed
myself
with obsession’s
promise
and that’s
why
i had to call
before
i could
guarantee
action
i had to
establish
a pattern
of wanting
before
i could
establish
a pattern
of wanting
i had to
guarantee
a legacy
of emptying
the problem
with your
future
is it casts
a shadow
on this
living
like cut
the light source
drain the flowers
i’m sorry
for the things
i said
i went
for a walk
and now
i feel
better
Ivanna Baranova is a Slavic-Latina writer and photographer based in Brooklyn. She is the author of CONFIRMATION BIAS, forthcoming from Metatron Press in 2019. Her work has appeared for ÄLPHÄ, glitterMOB, Montreal Review of Books, NTS Radio, Peach Mag, Poetry Is Dead, VICE, and elsewhere. Find her @internetfantasy.